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AWE
INSPIRING ▪
BRILLIANTLY DIRECTED ▪
RIVETING
▪
VIRTUOSITY
AND PRECISION ▪
MAGICALLY
CONJURED UP ▪
SUPERBLY
DIRECTED ▪
ENGROSSING ▪
IMPECCABLE ▪
DELIGHTFUL ▪ UNIQUE
AND BEAUTIFUL ▪
DO
NOT MISS THIS SHOW ▪
IT
IS AN EXTRAORDINARY AND EXTREMELY IMPORTANT WORK OF ART
Please click here for: Montenegro press about "Naš čovjek" (in Serbo-Croat/Montnegrin etc...)
…Mesmerizing personal journeys against the backdrop of politics and war… In this ‘total
theatre’ production the form and the essence are inseparable: the sound, the
visuals, the movement and the brilliant design are not just a package - they
speak, they live, they reveal. Vujovic maps out her
own territory as her dazzling production approaches a universal statement. Immensely memorable
production…a fly-on-the-wall intensity, highlighting the emotional
minefield… that the characters grapple with. Vujovic brilliantly
brings out the black humour lurking beneath the surface. This is a hugely
enjoyable production of a classic play… Recommended. Vujovic shows a
refreshing grasp of her material, with conventional meanings of security, trust
and blind faith thrown into question but never overstated. Recommended. audience
letters I
almost feel as if the experience of the play has changed me in some fundamental
way. I had to ask myself: where do I stand, really, in relation to our divisive
and violent society? I tend to think that as long as the performances I take
responsibility for are honest and true, that's enough. It's not.
(David
St George, New York) writer This new play must
rank as one of the most powerful in recent years.
What
marks Vujovic’s drama out is the fascinating way it demonstrates how language
can become an effective weapon of war. The
language buzzes with colloquial fizz as playwright Sladjana Vujovic mimes
mundaneness of evil with playful wit and measured menace. An
unflinching look at the ways in which war robs everyone of their humanity - from
the prisoners to the soldiers who captured them. A
major talent. actress It
is Sladjana Vujovic’s Dorra who is the real object of the play’s study, and
she is as earthily self-possessed as she is lonely and terrified. Thanks to her,
the play achieves its goal of embodying and personalizing this bloody conflict. Sladjana
Vujovic beautifully charts the conflict between physical revulsion at carrying a
child of war and the growth of a defiant maternalism. Detailed,
focused and supremely intelligent work ….Vujovic’s performance is
tremendously eloquent and spare… An
excellently observed performance by Sladjana Vujovic. The
Yugoslav civil war lends a cruelly topical edge to The Tender
Mercies, a new play by
Sladjana Vujovic, whose own performance in the leading role has been
particularly acclaimed. Vujovic
herself plays the gun-toting mistress of horror. Her observations are well
refined and clearly thought out, capturing the true essence of evil. The
author … is excellent in the part, conveying sadism all the more sinister for
being superficially soft. Vujovic is wonderful
as a femme fatale. Sladjana
Vujovic is remarkable. The
Guardian
▪
The
Irish Times
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The
Sunday Times
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What’s
On
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The
Glasgow
Herald
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The
Scotsman
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Ham
& High
▪
The
Stage
▪
The
Evening Advertiser
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Delo
▪
New
York Theatre
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Backstage
New York
▪
The
Asian Age
▪
The
Hindustan Times ▪
The
Public Voice
▪
Evening
Standard
▪
Metro
▪ Sladjana Vujovic © 2007 |